
A digital and embodied experiment
Across its five live iterations, performance and technology were pushed to further entangle events and communities outside the logics of buying and selling, when possible.
Explore the project on Slideshare
Power Point for talk at CUNY

This document discusses the concept of “ev-ent-anglement”, which examines how affect moves through feminist social networks.
It includes snippets of text from various social media posts and discussions about concepts like cutting/editing, circulation of emotions, queer pleasures/politics in academia, and an affective approach to images. The document serves as an example of using cut-ups and pasting together snippets from different sources to explore these ideas about affect and feminist networks.
Culture & Media @30

Juhasz remarks
My brief remarks about the methods I learned and refined as a student in this program in the late 1980s.
Ev-ent-anglement Montreal

This document summarizes Ev-Ent-Anglement 4, an event held in Montreal, Canada in August 2015.
It provides background on previous Ev-Ent-Anglement events in Utrecht and Delhi. The document consists of cut and pasted fragments from various sources on concepts like event, affect, editing and cutting. It outlines a three act script for participants at the Montreal event to cut/paste and share digital fragments expressing the event using specific hashtags. The goal is to cut/paste content between the physical event and online spaces like eventanglement.com to perform and spread ideas.
Ev-ent-anglement: Dublin

The slide show for ev-ent-anglment 3: Dublin, an event presented as part of the panel “Making Neww Materialisms Matter for Feminist Media Studies” at Console-ing Passions.
Ev-ent-anglement with photos: India

This document summarizes an event titled “Ev-Ent-Anglement 2” that discusses performing and cutting through digital identities.
It contains snippets and quotes from various sources pasted together. The snippets discuss concepts like cutting and pasting media, assemblage, loops in narrative forms, and intra-action between human and non-human actors. Comments are pasted from attendees of previous related events discussing issues like disability, editing techniques, and curating fragmented selves.